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Most famous castrati
During the sixteenth, seventeenth, and eighteenth-centuries in Europe the theatrical stage was
dominated by the
castrati, often immensely wealthy and influential performers. Describing Farinelli (subject of an
Abelard book,
1974), D. Charles Burney, eminent eighteenth-century musical historian remarked - "He was
able to project the
tone to such a length as to incite incredulity even in those who heard him, who imagined him
to have the help
of some wind instrument." A French commentator, writing of Cresentini, another famous male
soprano, observed
that this "great balloon" could expand his breath for ten minutes without inhaling! Farinelli
became a hero of his
time, evoking rapture and adulation. On hearing Farinelli, a woman is reported as swooning in
her box,
exclaiming -"One God and one Farinelli."